YearTitle / IssueCountry/Notes
1989
  • Paper
  •     "The Application of Computers in my Compositions -from Real-Time Computer Sound Synthesis to the Use of an Early Type of DSP"
  • International Symposium on Music and Information Science
  • Proceedings: pp. 51-57, Kunitachi College of Music
  • Japan
1991
  • Presentation
  •     "Introduction of NeXT computer and IRCAM Signal Processing Workstation"
  • Tokyo Contemporary Music Festival 1991
  • organized by ISCM Japan Section
  • Japan
1993
  • Paper and Presentation
  •     "Introduction of Computer Music Studio of Sonology Department Kunitachi College of Music"
  • International Computer Music Conference=Tokyo
  • Proceedings: pp. 311-313
  • Japan
  • jointly worked
  • peer reviewed
1994
  • Article
  •     "ICMC 94 Report"
  • Music Art Magazine
  • published by Ongaku-no-Tomo Sha
  • Japan
1994
  • Panel Discussion
  •     "Multimedia and Contemporary Art"
  • Music Today No.21
  • published by The SEIYO Co.
  • Japan
1994
  • Article
  •     "The Development of Music Production Technologies"
  • InterCommunication 9
  • published by NTT Publishing
  • Japan
1994
  • Article
  •     "Computer Music Studio Database"
  • InterCommunication 9
  • published by NTT Publishing
  • Japan
  • jointly worked
1994
  • Article
  •     "Computer Music and The ICMA -an Interview with Larry Austin"
  • InterCommunication 9
  • published by NTT Publishing
  • Japan
1994
  • Article
  •     "Computer Music today and future -an Interview with Miller Puckette"
  • Music Art Magazine
  • published by Ongaku-no-Tomo Sha
  • Japan
1995
  • Paper and Presentation
  •     "Studio Report"
  • SIGMUS Information Processing Society of Japan
  • 1995-MUS-13: pp. 17-21
  • Japan
1996
  • Article
  •     "Music Education with Computers"
  • Applying Multimedia Possibilities in Education at Universities
  • Japan Universities Association for Computer Education
  • Japan
  • jointly worked
1997
  • Paper and Presentation
  •     "The Interactive Multimedia Computer System using SGI and NeXT/ISPW computers"
  • International Computer Music Conference, Thessaloniki
  • Proceedings: pp. 317-320
  • Greece
  • jointly worked
  • peer reviewed
1997
  • Paper and Presentation
  •     "Introduction of Computer Music Studio of Sonology Department Kunitachi College of Music"
  • International Computer Music Conference, Thessaloniki
  • Proceedings: pp. 228-229
  • Greece
  • jointly worked
  • peer reviewed
1997
  • Paper
  •     "Analysis in Electroacoustic Music"
  • Academy Bourges 1996 Volume II
  • published by Editions MNEMOSYNE
  • France
1998
  • Article
  •     "Working with computers"
  • Computer and Music World
  • published by Kyoritsu Shuppan
  • Japan
1999
  • Article
  •     "Computer Music Education with Digital Signal Processing Technique"
  • Shijokyo Journal Winter′99 Vol.7 No.3
  • Japan Universities Association for Computer Education
  • Japan
2000
  • Paper and Presentation
  •     "DIPS:the real-time digital image processing objects for Max environment"
  • International Computer Music Conference, Berlin
  • Proceedings: pp. 284-287
  • Germany
  • jointly worked
  • peer reviewed
2001
  • CD review
  •     "Leo Kupper : Ways of the voice"
  • Array Communications
  • International Computer Music Association
  • U.S.A.
2002
  • Paper and Presentation
  •     "DIPS for Linux and Mac OS X"
  • International Computer Music Conference=Gothenburg
  • Proceedings: pp. 317-320
  • Sweden
  • jointly worked
  • peer reviewed
2002
  • Paper and Presentation
  •     "Creation of interactive computer music and its post-production"
  • SIGMUS Information Processing Society of Japan
  • 2002-MUS-48: pp. 7-13
  • Japan
2002
  • Presentation
  •     "DIPS for Mac OS X"
  • Resonance 2002 IRCAM
  • orgnized by IRCAM
  • France
2003
  • Paper and Presentation
  •     "Introduction of DIPS Programming Technique"
  • International Computer Music Conference
  • Proceedings: pp. 459-462
  • Singapore
  • jointly worked
  • peer reviewed
2003
  • Presentation
  •     "DIPS version 2"
  • Resonance 2003 IRCAM
  • orgnized by IRCAM
  • France
2003
  • Presentation
  •     "DIPS for Linux"
  • Resonance 2003 IRCAM
  • orgnized by IRCAM
  • France
2004
  • Curator's note
  •     "DVD Program Notes-Part One"
  • Computer Music Journal vol.28 number 4
  • pp.116-126, the MIT Press
  • U.S.A.
2004
  • Paper
  •     "History of Computer Music"
  • SIGMUS Information Processing Society of Japan
  • 2004-MUS-54: pp.61
  • Japan
2006
  • Presentation and Demonstration
  •     "DIPS3 for Max/MSP"
  • Forum IRCAM workshops
  • orgnized by IRCAM
  • France
2007
  • Paper and Presentation
  •     "Introduction of DIPS3 (version 2) for Max/MSP"
  • International Computer Music Conference, Copenhagen
  • Proceedings Volume II: pp.176-179
  • Denmark
  • jointly worked
  • peer reviewed
2009
  • Article
  •     "Music Creation and Computer Music"
  • Journal of the Operations Research Society of Japan
  • Vol.54 No.9 2009: pp.563-569, ISSNs:0453-4514
  • Japan
2009
  • A page of the score quoted
  •     "Kinetic Figuration for MIDI piano synthesizer and computer"
  • in the book NOTATIONS 21
  • pp.182, Mark Batty Publisher, New York
  • U.S.A.
2011
  • Parts of the score quoted
  •     "Sparkle for bass cl. and tape"
  • in the book "the bass clarinet" by Harry Sparnaay
  • pp.84 and pp.137, eriferia Sheet Music Spain
  • Spain
2012
  • Research Briefing 2011
  •     "The creation of the piece for piano and a live computer system and its premiere"
  • Kawai Foundation for Sound Technology and Music
  • web publication
  • Japan
2012
  • Article
  •     "Development of Music and Computer; the fusion of music and sound technology"
  • Journal of Kawai Foundation for Sound Technology and Music
  • pp.20-22
  • Japan
2013
  • Paper and Demonstration
  •     "DIPS5 for Max -Digital Image Processing with sound version 5-"
  • "International Computer Music Conference Perth"
  • Proceedings:
  • Australia
  • jointly worked
  • peer reviewed
2013
  • Chapter
  •     "Takayuki Rai"
  • in the book "Electronic Music in Japan, Interviews Volume 2"
  • Kawasaki, K (Editor), pp.209-260, engine books, Japan
  • Japan
2014
  • Demonstration
  •     "Interactive Multimedia Performance System with Leap Motion"
  • INTER/action
  • University of Bangor
  • The UK
  • jointly worked